{"id":3117,"date":"2025-06-12T13:58:57","date_gmt":"2025-06-12T11:58:57","guid":{"rendered":"https:\/\/homo-extensus.ai-book.it\/2025\/06\/12\/the-florentine-avant-garde-the-race-for-innovation\/"},"modified":"2025-10-08T15:28:02","modified_gmt":"2025-10-08T13:28:02","slug":"the-florentine-avant-garde-the-race-for-innovation","status":"publish","type":"post","link":"https:\/\/homo-extensus.ai-book.it\/en\/2025\/06\/12\/the-florentine-avant-garde-the-race-for-innovation\/","title":{"rendered":"The Florentine avant-garde: the race for innovation"},"content":{"rendered":"\n<!--[if lt IE 9]><script>document.createElement('audio');<\/script><![endif]-->\n<audio class=\"wp-audio-shortcode\" id=\"audio-3117-1\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/homo-extensus.ai-book.it\/wp-content\/uploads\/2025\/06\/413_lavanguardia_fiorentina_la_corsa_allinnovazione.mp3?_=1\" \/><a href=\"https:\/\/homo-extensus.ai-book.it\/wp-content\/uploads\/2025\/06\/413_lavanguardia_fiorentina_la_corsa_allinnovazione.mp3\">https:\/\/homo-extensus.ai-book.it\/wp-content\/uploads\/2025\/06\/413_lavanguardia_fiorentina_la_corsa_allinnovazione.mp3<\/a><\/audio>\n<div class=\"text-center\"><div class=\"is-divider divider clearfix\" ><\/div><\/div>\n\n\n\t<section class=\"section\" id=\"section_1291108508\">\n\t\t<div class=\"section-bg fill\" >\n\t\t\t\t\t\t\t\t\t\n\t\t\t\n\n\t\t<\/div>\n\n\t\t\n\n\t\t<div class=\"section-content relative\">\n\t\t\t\n\n<div class=\"row\"  id=\"row-993792009\">\n\n\n\t<div id=\"col-523405511\" class=\"col medium-4 small-12 large-4\"  >\n\t\t\t\t<div class=\"col-inner\"  >\n\t\t\t\n\t\t\t\n\n<h2 style=\"text-align: right;\">Video Abstract<\/h2>\n\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\n\t\n\n\t<div id=\"col-1012165449\" class=\"col medium-8 small-12 large-8\"  >\n\t\t\t\t<div class=\"col-inner\"  >\n\t\t\t\n\t\t\t\n\n<div class=\"video video-fit mb\" style=\"padding-top:56.25%;\"><iframe loading=\"lazy\" title=\"Avanguardia fiorentina e corsa all&#039;innovazione\" width=\"1020\" height=\"574\" src=\"https:\/\/www.youtube.com\/embed\/5XxoOAkDoeU?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div>\n\n\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\n\t\n\n<\/div>\n<div class=\"text-center\"><div class=\"is-divider divider clearfix\" ><\/div><\/div>\n\n\n\t\t<\/div>\n\n\t\t\n<style>\n#section_1291108508 {\n  padding-top: 30px;\n  padding-bottom: 30px;\n}\n<\/style>\n\t<\/section>\n\t\n\n\n<p>The construction of the perspective method of graphically representing three-dimensional reality is the triggering moment of the parable of Renaissance art, emblematic of the convergence of art and science. Florentine painting of the Renaissance is one of the highest episodes in the history of universal art, and it includes a series of masters of absolute level, united by a unified line of research that stems from the perspective representation of reality, but develops with a series of acquisitions in a process that art historian Ernst Gombrich calls &#8220;the conquest of reality.&#8221; Renaissance man, thanks to perspective, sees the world as he had never perceived it before. And he is able to design three-dimensional worlds traceable to scientific laws. In fifteenth-century Italy, a true revolution in art was unleashed: Italian artists, inspired by the new paradigm of perspective technique, competed to represent nature truthfully. Together with Brunelleschi, Masaccio creates the perspective hole of the Trinity to provoke the Florentines in the church of Santa Maria Novella. Donatello applies perspective to sculpture, devising the astonishing technique of stiacciato. Paolo Uccello and Piero della Francesca develop geometric narratives. Francesco di Giorgio Martini envisions ideal cities. Bramante applies perspective to architecture, anticipating the Baroque. Leonardo invents aerial perspective, incorporating the vibrant opacity of atmosphere. Brunelleschi by bringing his perspective machine to the piazza had caused an extraordinary intellectual shock, giving humanity a new way of seeing the world. He had extended human vision.            <\/p>\n","protected":false},"excerpt":{"rendered":"<p>The construction of the perspective method of graphically representing three-dimensional reality is the triggering moment of the parable of Renaissance art, emblematic of the convergence of art and science. Florentine painting of the Renaissance is one of the highest episodes in the history of universal art, and it includes a series of masters of absolute&#8230;<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[61],"tags":[],"class_list":["post-3117","post","type-post","status-publish","format-standard","hentry","category-brief-history-of-techno-cognitive-revolutions"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v25.3.1 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>The Florentine avant-garde: the race for innovation - Homo Extensus<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/homo-extensus.ai-book.it\/en\/2025\/06\/12\/the-florentine-avant-garde-the-race-for-innovation\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"The Florentine avant-garde: the race for innovation - Homo Extensus\" \/>\n<meta property=\"og:description\" content=\"The construction of the perspective method of graphically representing three-dimensional reality is the triggering moment of the parable of Renaissance art, emblematic of the convergence of art and science. 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